Santa Rosa Plateau

I just realized that out of all the locations I have written about, I've so far passed over this one, which is pretty much right in my back yard (well, 60 miles from home, but this is California).. and I have a number of interesting images that I have made here over the past few years.
The Santa Rosa Plateau Ecological Reserve is a 9000 acre area about half way between Mt. San Jacinto where I live and the Pacific Ocean to the west. Many thousands of people pass by here every day on the major north-south freeway, I-15, just a few miles to the east and probably don't even know about this place... I didn't myself until a couple of years ago.
As you can see, it's a beautiful, wide open area of rolling hills, grass and oak groves; in the spring when it's green, as in this shot, it reminds you more of the English countryside than southern California. The Englemann Oaks that grow here are unique to southern California and northern Baja Mexico... and are great subject matter for photography, both in color and monochrome. I thought I'd start a series with this wide-open shot as a scene setter.

Sol Duc Falls

Getting back to the Olympic Peninsula for a few more:
This is one of the best known falls in the area.  I was kind of disappointed with the light after hiking up here... even though the forest cover was quite heavy, the blue sky and bright sun were enough to spoil the colors for me at the time we were here.. ideally, it would be a more typical rainy, wet and foggy day which would create the proper atmosphere and color.. but you have to deal with it when you only have one chance.  So, in this case, a monochrome approach to the scene still shows off the falls and the textures of the forest while eliminating the harsh mid-day colors. If you check the expanded view carefully, you can just make out a guy standing on the bridge, for a sense of scale. The water splits into 3 streams as you can see, then flows down through the gorge under the bridge. Amazing that they are flowing this fast, even in the "dry" season.
Although you hardly see it anymore, scenery like this in beautiful, rich black and white (by Paul Caponigro) were exactly what got me interested in photography in the first place, more than 35 years ago....

And It Gets Thicker...

The second in my "Foggy Forest" grouping.  The soft transition from detailed foreground to the misty background gives it an especially watercolor-like style that I always like to see.  It's really nice to compose under these conditions because the background is so easily abstracted and free of distracting details. Walking past this spot yesterday evening, I noticed that there are quite a few wildflowers blooming now that would have been a nice accent.. too bad I was a few days early.. not likely to get this opportunity again before they are gone, at least for this year.

Sky Watch: Shocking Yellow

An especially vivid horizon on this evening back in mid-December.  I've been trying to explore the numerous forest service roads that wander for miles through the back country around town, most of which I have never been on at all, looking for new and photogenic locations. They are mostly pretty rough even in the dry season, but now after the snow and rain I will have to give it up until spring. I was mainly admiring the granite boulder formations in this particular spot, but as it got late and the sun lit up the clouds on the western horizon, I was fortunate to catch several minutes of spectacular color.
The little speck of reflection in the distance that looks like a puddle, is actually a large reservoir (4.5 miles long by 2 miles wide), 50 miles distant. I'm also nearly 5000' above it here, so we can see a LONG way from any open view point.

Check out the SkyWatch homepage every weekend for more great sky images from all around the world.

High Desert Drifter

Now that I live only a little over an hour from Joshua Tree National Park, it's much easier to keep an eye on the weather and head out there only when I have a good chance of hitting the kind of conditions that I prefer.  I did hit it just right on this day last October and was was quite happy with my afternoon of shooting... the sky was absolutely perfect. (Click the image for a detailed view).  I went back a couple of weeks ago on Jan. 2 hoping for something similar, but it turned out a little too overcast and windy, so I'm not sure if anything good will come out of that session (still waiting to process a batch of film), but hoping for the best.  I like to check the Joshua Tree web cam to get an idea of the situation before deciding to make the drive, but things can change a lot in in two hours out there when weather is happening, so it's never 100% guaranteed to be perfect, even after my best efforts.
This was shot with what is probably my favorite tool recently, a panoramic 6x12 (60x120mm) roll film back on my view camera.. great because it allows me to get the benefit of the full width and detail of the camera's large format frame on roll film instead of sheets, which is much cheaper to buy and to process... and faster to use in the field than sheet film in individual holders. I'm only loosing a little bit of the frame at the top and the bottom, which is o.k. because I'm really liking the wide format these days... it seems to make almost any composition more dynamic and interesting than standard full-frame proportions.
One thing I am hoping for this year is to photograph a rare high desert snow dusting, but that will have to wait a while, because we are in a really warm pattern right now and even up here on the mountain at 6000 ft., almost all the snow is melted and gone.

Going with the Flow

Last week was 6 straight days of pouring rain here in the mountains of southern California ...a grand total of 11" from Thursday through Wednesday. Although I like snow, I'm kind of glad that this storm was a warm one and we missed out on the white stuff (at least at this elevation)... otherwise it would have been a truly epic snow storm and would have made life pretty difficult around here for a while.
All that rain (and snow on the high peaks) is now flowing down the mountain and making for some really pretty and refreshing scenes along the rivers and creeks that were showing barely a trickle just a couple of weeks ago. It's really fun to explore up here with waterfall after waterfall....  the roar of the water acts like white noise, blocking out the rest of the world so you can really concentrate on your work... you just have to remember to think about where your feet are too, while standing on a rock in the middle of a rushing stream:) You can click for a larger view on this one.
I'm planning to be out in Joshua Tree before the end of this week... (actually I have several more nice ones from my last session out there in October that I haven't even shown yet).  The weather is ever-unpredictable around these parts in the winter, so you really do have to "go with the flow" and be willing to change your plans.

Skywatch: Monolith Meets Juniper, or The Photographer as a Detective

I was searching for this spot in Joshua Tree for at least the past two years.  I had seen some snaps of it here and there on the web, but no one ever said exactly where it was... and I even asked every park ranger I could find if they knew about it, but no one had a clue!  Back in October when I shot this, I tracked down a geo-tagged picture on Google Earth locating it in what seemed an unlikely area, but it was the best lead that I could find... and when I got there,  there was indeed a trail in the spot indicated, so I gave it a try, hiking a mile out into the middle of nowhere hoping the coordinates were accurate. When it became apparent that it wasn't going to be where it was supposed to be, I was seriously bummed, but determined to get some good work in anyway, since it was just a perfect, soft-light type day for photographing out here.

Later on, while driving through a well known campground to a good spot that I was already familiar with, a distinct shape somehow caught the corner of my eye (and I've driven past the same exact spot many times), up on some rocks above an unoccupied camping spot.  I thought it was pretty unlikely to be here in such a heavily used area, but I did stop and park just to check it out.  Hoorah!.. there it was:)  The standing rock is totally invisible from the road, but I had luckily caught just enough of the tree to make me stop and investigate.

Of course, totally the wrong light at that time, so I went down the road to work for a few hours, knowing that right before sunset was going to be perfect for this scene.  I got so busy over there though, that I ended up having to pack up in a hurry and rush back here to catch the good light, which lasted (as it likes to do) only a few minutes.  Only film gear on hand this day, so I had to fumble as quickly as possible to get a roll into a back and find the right lens/angle (actually kind of hard if you could see the whole situation with bushes and rocks in the way), but managed to get off a whole roll of 20 shots over a period of about 15 minutes.  This is a very wide angle view.. the monolith rock is quite a bit bigger that it appears here due to the wide-angle lens.  I also caught another completely different version, shot in the twilight after sunset that I like a lot, too.

All in all a very satisfactory day, since some shots from earlier also turned out quite nicely.  I'm planning to head back out here again this coming weekend,... we are in another unsettled weather pattern right now, and stormy skies are ideal for shooting in JT.

Tech note: Shot with a Mamiya 6x7 medium format, on Fuji Velvia 100. No filters, (no time:).

Check out the SkyWatch homepage every weekend for more great sky images from all around the world.

A Geometric Puzzle

I finally decided to take a day off from working around the house and head out for a rare (lately) day shooting some new work. Joshua Tree N.P. is now only 80 miles or so from home (and the most photogenic location in my area), so we drove out there for a quick day trip.
This formation known as the Giant Marbles, is one of the most interesting among so many to be found here.. I had never managed to locate it on previous trips, but it was quite easy to find with some quick directions from a ranger at the visitor center. Molten magma that rose up under the earth eons ago, solidified, cracked and was then exposed when the softer soil eroded away, explains the geometric stacking effect. The soft light on the rocks is just a minute or so before the sun set behind a ridge, casting the whole scene into shadow and killing the color... glad I got the composition I wanted just at the right moment. For a sense of scale, the round "marble" balancing on the top is probably 5-6 ft. diameter.

Preoccupied

I'm currently involved in an ongoing studio project for a client that requires a lot of shooting and processing, so it's tapping my photographic time and energy a bit... resulting in a slowdown of posts here on the blog. Not complaining though, because at least it pays well:)
In the meantime, here is a "rainy-day" project from the past weekend.. reprocessing a view of the Kolob Canyons area of Zion N.P. in Utah, that I shot several years ago.  A bit hard to tell since this is in monochrome, but that is snow on the lower slopes, as this was shot on a bitter cold New Year's Eve morning.  A lot of people totally bypass this area in favor of the park's main canyon an hour to the south... although it is literally right on the major I-15 freeway, midway between St. George and Cedar City. The freeway exit goes directly into the park and it is only a couple of miles up a smooth road to this spot.  You can just stop anywhere at the many turnouts for views like this (It was so deserted on the day I was here, that I was able to set up my tripod right in the middle of the road), or there are several easy hiking trails that wind up into the backcountry.  A truly majestic scene if you are ever in the area.

Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing;
it is the defining of observation full and felt.

- Walker Evans

No Go for the Snow Show

My effort to find some pristine, fresh snow-covered landscapes last weekend was basically a bust. I've been wanting to work on some wide angle, white-on-white winter scenes, a la Andrew Wyeth's watercolors of Pennsylvania's woods and fields. I should have realized that half of the residents of San Diego would be heading out with their kids and dogs to play in the snow, all on the same day and to approximately the same spot. One of the two main roads was closed to anyone without chains (I lived half my life in New England where it snows 5 months of the year and never once used chains!), so the other road was so congested with cars and people that it became pretty hopeless for my purposes. Oh well, try again on a weekday and get there really early, I guess. Anyway, I didn't even pull my gear out of the car, just snagged a few quickies near the end of the day with my trusty iPhone, this being the most interesting. Never leave home without it.

From this spot, the ocean would be found beneath that little break in the clouds just at the horizon.. about 50 miles to the west and 4500ft. in elevation below. The peaks in this area can be easily seen on a clear day from where I live in the city. Believe it or not, the following day we were taking a pleasant, sunny walk on the beach.. we really do have it all around here.

Fire in the Sky

A photographer's dream day.. what else can I say?

It's such an advantage to be really familiar with a place before you try to photograph it. Whenever I travel, I have to rely largely on luck and instinct to be there when the conditions are right... it can be a frustrating experience as many of you know well, especially if a lot of time and expense were involved in getting somewhere. Here at home, however, I can watch the weather and the sky every day and just know when it's going to be happening. Occasionally it's a bust, other times like this, it's way better than expected.

Virtually no processing on this (yet)... just a slight exposure tweak and a bit of levels in the sky.

Be sure to visit the SkyWatch home page for other awesome skies from around the world.

Sunlight Meets Badlands

Whoa.. hardly a thought about the poor old blog in over a week. Been concentrating mostly on holiday stuff and trying to get a new computer up and running while things are kind of quiet, business-wise.
Here is one more interesting formation from Death Valley, showing in more detail the incredible work done by the power of erosion in creating these badlands landscapes. Shot also from Zabriski Point (same as previous post), a couple of minutes after sunrise, which you can probably tell by the light just kissing the tops of the hills. I think this formation has a name, but I don't know what it is:).. will have to research it sometime. If anyone knows, feel free to set me straight!

In the Twilight Zone

"Moonset-Zabriski Point, Death Valley"

I find fairly often that the most interesting light actually occurs in that strange few minutes just before sunrise or just after sunset. Not so with something like the dunes in my last couple of posts, where the sunlight really is necessary to bring out the shapes and shadows, but for this one I found it disappointing as soon as the sun broke the horizon and got to work on the scene.

This spot is probably one of the most photographed in all the west, (and that's saying a lot)... every day, busloads of tourists stop in the parking lot, hike up a small hill to the lookout and shoot I would guess tens of thousands of snapshots. Almost every serious photographer stops by here too.. for that reason I've avoided it for all the years since I moved to California, but I have to admit that I'm glad I finally gave it a "shot":)

No busses and only one car in the lot when we arrived about a half hour before sunrise... one other photog and his wife beat me and were already set up and working. Of course I knew there was a full moon that night since we had been camping out nearby, but for some reason it didn't occur to me beforehand that the moon could still be part of the composition... until I got up to the hilltop and noticed that it was still sitting on the horizon, just about to disappear. I had to rush down to the "tripod spot" in front of a small wall and set up in a real hurry in order to get at least a few shots in the can before it set behind the Panamint Mountains off to the west, beyond Badwater. If I had a bit more time, I could have set up something with a telephoto and got the moon really big and fat sitting over Manley Beacon (the sharp, tooth-shaped landmark rock), but hey, you can't have everything. Anyway, I think it really made the shot and my day. The pre-dawn twilight turned out to be by far the best for this view, although some other interesting formations that can be photographed from here in the other direction worked quite well after the sunrise, at least for a few minutes.

It looks great in color, too, but I am kind of leaning towards this B&W interpretation. Be sure to click for a full view, the details and textures of the eroded landscape are really fascinating.

Check out lots of great sky shots every Friday at the Sky Watch home page.

In some photographs the essence of light and space dominate; in others, the substance of rock and wood, and the luminous insistence of growing things...It is my intention to present-through the medium of photography-intuitive observations of the natural world which may have meaning to spectators... - Ansel Adams

Waiting for the Sun (part deux)

So, here is the other half of last week's post. This shot is taken from exactly the same tripod position at the Grand Canyon as my previous one, just 180° opposite. It was obvious that the sun was going to peek through the clouds down at the horizon for just a minute or two.. the question was, if it was going to be too low by that time to light the canyon walls, which is what I was hoping for. If that had not happened as it ultimately did, it would have been a bit of a disappointment since the lighting from the overcast sky was pretty flat and unspectacular. I was reasonably sure about the colorful sky in the other direction, so I had my bets at least partially covered. Must have looked kind of odd swinging back and forth like a madman working both compositions for 2-3 minutes, but by this time there was no one else around, so who cares? The light catching the little tree in the foreground was an unexpected bonus.

As usual, stop by at the SkyWatch home page to see great sky shots from around the world.

In photography there is a reality so subtle that it becomes more real than reality.

- Alfred Stieglitz

Ghost Tree and God Sky

Another example of an image that takes on a life of it's own only after you get home and start to work with it. Of course, it was intriguing enough at the time for me to set up and frame a few shots... and I pretty much had a black and white result in mind under these conditions, but somehow in real life and later in color on the raw exposure, it just didn't have the drama that came through ultimately. Shot near Desert View at the Grand Canyon a short time after my last one from this location (here), I was busy watching the sky develop minute by minute and searching out interesting foreground subjects to use as a foil for the clouds.

I borrow the term "ghost tree" from a local newspaper writer who sometimes does articles about nature, parks and hiking trails, etc. (maybe she in turn borrowed it from someone:) I love it, since this is a fairly frequent subject for me (as you can see from an older post here) and I've always needed a descriptive tag for these skeletal trees. "God sky" speaks for itself.. I almost expected to see a bolt of lightning crash down from the heavens and this dead tree to burst into flames. Honestly, not a good idea to be standing on the edge of a canyon with a metal tripod if there is lightning about.. (there wasn't in this spot at the time).

As usual, check out all the great SkyWatch images of the week right here.

Our job is to record, each in his own way, this world of light

and shadow and time that will never come again exactly as it is today.

- Edward Abbey

Lair of the Spider Woman

"Spider Rock" - Canyon de Chelly, AZ

This photo, in itself, is probably not my very best - although not my worst either:) - but the process of taking it definitely epitomizes what I love about the art of photography. This location is exactly 750 miles from where I live; I drove the whole way in one day, almost non-stop... and don't regret a minute of the effort it took me to get here, because unlike my experience a few days later at Monument Valley, I was able to appreciate this scene in an ideal way. I scouted the location earlier in the day and by the time I arrived again in the early evening, all the casual visitors were returning to their camping spots or motels, leaving me to select a nice perch on the rim of the canyon from which to observe the shadows climbing these fantastic spires as the sun slowly sank in the west. Only the occasional raven would stop by and sit in a nearby tree to see what I was up to... and I could hear coyotes calling clear as a bell from the canyon floor 1000 feet below. In a place like this, all alone in the warm evening light watching the shadows grow, you can imagine yourself observing the scene 100 or even 1000 years ago, and wonder at how similar it would have been.
Known as Spider Rock in Navajo lore, this 800 ft. tall formation is believed to be the home of Spider Woman, one of the most important figures in their mythology; a main character in the creation of the world and the one who taught them their most revered craft of weaving, which they still practice with great artistry today.
Would I make the same effort to be here if I wasn't so determined to capture the scene... and would I have learned about the Navajo traditions surrounding it?.. probably not. That kind of unexpected benefit is what makes this work rewarding on so many different levels. Producing a successful photograph is really just icing on the cake.
A short but interesting history of Navajo weaving can be found here, with some good links that go deeper into the old tales and history should anyone be interested.

Photography appears to be an easy activity; in fact it is a varied and ambiguous process in which the only common denominator among its practitioners is in the instrument.

- Henri Cartier-Bresson

Twilight in Joshua Tree (and an Instructive Site to Visit)

All that I have achieved are these dreams locked in silver. - Paul Caponigro

No special background story to go with this one! It's a rather alien-looking scene (the kind I love) shot at twilight among the boulders in Joshua Tree National Park, which I have mentioned before here, in a February post. If I remember correctly, some smoke from a distant wildfire contributed to the nice colors in the sky at the horizon on an otherwise pure blue day. The granite formations in this area are very unique and interesting as you can see, but no Joshua trees appear in this shot.
In addition to mentioning as I go along here some of the classic photographers or artists that have influenced and inspired me, I want to occasionally point out a site that is especially interesting or informative. Therefore, for my "tip of the day", I give a big thumbs up to Georgia-based photographer Craig Tanner's video series "The Daily Critique". You can view it directly on the website where he is the principal contributor: The Mindful Eye (after a free sign-up), or find the entire archive easily here on YouTube. Each day, he takes a viewer-submitted image and analyzes it in a very informative and positive way, discussing composition, color theory, processing techniques and the general thought process behind art and photography. I'm pretty sure that no matter what your skill level, you will find it quite fun to watch. He has a very pleasant manner and more importantly, is excellent at articulating the concepts of visual language. A nice byproduct (to me at least) is that at the end of each segment, you will have spent 6-8 minutes really studying an image and getting a feel for what the photographer was thinking and trying to accomplish, as opposed to the quick few seconds glance we typically allow when cruising blogs and websites. His essay, "The Myth of Talent" is quite inspiring, also. Please check out a video or two and let me know what you think.

Some Trip Planning and a Grand View

If all goes according to plan, I'll be heading out to some prime shooting areas across the canyonlands of northern and eastern Arizona in a few weeks; that prompted me to dig up this one from several years ago. Shot from the south rim of the Grand Canyon, looking northeast under a clearing late-afternoon sky, following a day of showers and thunder (a little early this day for the really "sweet" light, but still kind of nice with the cloud shadows to emphasize the multiple layers and colors). In fact, I'm purposely delaying our upcoming trip until July, in the hope of catching some of the monsoon storms that bubble up into Arizona from Mexico in the summer. Maybe I'll capture some lightning or rainbows over Monument Valley and Canyon de Chelly if I'm lucky:) You can rarely trust nature to cooperate with your best-laid plans, so we'll see how it goes, but for me, studying the weather and sky is a significant and fun part of any serious nature/landscape photo work.

A Nice Little Sunset - Sky Watch #49

A sky like this is so rare around where I live, due to the mostly dry climate, that when they do occur, you just want to get out and shoot something, anything, to take advantage. This one was taken among the eroded hills above Torrey Pines State Beach, just a few miles from home. Interesting how the flowing forms of the clouds echo the similar shapes of the terrain in the foreground. Wish I could say I was considering that at the time, but if I was, it was subconsciously. As they say.. sometimes it's better to be lucky:)

Check out lots of cool sky shots from all over the globe at the Sky Watch Friday site.

Rethinking the Dunes

I wanted to briefly go back and wrap up my post regarding the Algodones Dunes: "Solitude and Civilization", that I posted a few weeks ago.  At the time, I mentioned working some exposures from that session in both color and monochrome, so here is one B&W version that is very similar in composition to the color one posted previously.  You can see that it's essentially the same shot, although I shifted position slightly to lessen the size of the deep shadow on the right side of the frame.. it seemed a little overbearing in this monochrome version. Other than that, I don't have any strong preference between the two, maybe slightly towards the B&W, so I'd be interested to hear any opinions.

Check out lots of fine B&W images at: The Monochrome Weekly Theme page.